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	<title>Comments on: Red Eye</title>
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		<title>By: Shannon Davis</title>
		<link>http://www.streamray.net/psp/red-eye/comment-page-1/#comment-9461</link>
		<dc:creator>Shannon Davis</dc:creator>
		<pubDate>Mon, 26 Apr 2010 01:16:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.streamray.net/psp/red-eye/#comment-9461</guid>
		<description>For every love that Rachel McAdams, then you&#039;ll love this one! &lt;br /&gt; &lt;br /&gt; &quot;Red Eye&quot; is a thriller! It will be scary and you can not to fly in an airplane ever again. At least it can tell you from conversations with a stranger in the airport or to keep next to you on the plane. &lt;br /&gt; &lt;br /&gt; &quot;Red Eye&quot; follows the life of a young woman, Lisa, on the way home died after her grandmother. She works for a high-end hotel and ends called while she is away. While waiting in line to check in, people complain, and they from a customer service background, she tries to calm the crowd. His is irrate not bring them anything. It always ends the assistance of another person in the line and he asks her if she took him for a drink before the flight is justified. &lt;br /&gt; &lt;br /&gt; Lisa ends up walking around with the guy although she would not. He tries to drink, to guess and get it fast. You end up boarding and sitting next to each other. Once the aircraft is in the air, he reveals to her that he has to do something or he will kill the men, their father. He wants them to arrange for a special high-profile guest to another room to be moved so that it easier to kill then. &lt;br /&gt; &lt;br /&gt; Lisa resists for a while and with the storm blows over the phones on the plane, go in and out. &lt;br /&gt; &lt;br /&gt; At some point ends up with Lisa, they shift the guest, but it is not about to give up, especially when they realize that the guest they are moved to attend this time with his family. You will not kill the woman and two children, but to see well. She tries to leave clues, but he finds it, before anyone can view it any time. &lt;br /&gt; &lt;br /&gt; When the plane lands, takes Lisa away action. It makes it all the way home and finds himself in a whole new battle. Saving her father is not the only thing she has done, it needs to save his family and their guest in their hotel as well. &lt;br /&gt; &lt;br /&gt;</description>
		<content:encoded><![CDATA[<p>For every love that Rachel McAdams, then you&#8217;ll love this one! </p>
<p> &#8220;Red Eye&#8221; is a thriller! It will be scary and you can not to fly in an airplane ever again. At least it can tell you from conversations with a stranger in the airport or to keep next to you on the plane. </p>
<p> &#8220;Red Eye&#8221; follows the life of a young woman, Lisa, on the way home died after her grandmother. She works for a high-end hotel and ends called while she is away. While waiting in line to check in, people complain, and they from a customer service background, she tries to calm the crowd. His is irrate not bring them anything. It always ends the assistance of another person in the line and he asks her if she took him for a drink before the flight is justified. </p>
<p> Lisa ends up walking around with the guy although she would not. He tries to drink, to guess and get it fast. You end up boarding and sitting next to each other. Once the aircraft is in the air, he reveals to her that he has to do something or he will kill the men, their father. He wants them to arrange for a special high-profile guest to another room to be moved so that it easier to kill then. </p>
<p> Lisa resists for a while and with the storm blows over the phones on the plane, go in and out. </p>
<p> At some point ends up with Lisa, they shift the guest, but it is not about to give up, especially when they realize that the guest they are moved to attend this time with his family. You will not kill the woman and two children, but to see well. She tries to leave clues, but he finds it, before anyone can view it any time. </p>
<p> When the plane lands, takes Lisa away action. It makes it all the way home and finds himself in a whole new battle. Saving her father is not the only thing she has done, it needs to save his family and their guest in their hotel as well. </p>
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		<title>By: David A. Bede</title>
		<link>http://www.streamray.net/psp/red-eye/comment-page-1/#comment-9460</link>
		<dc:creator>David A. Bede</dc:creator>
		<pubDate>Mon, 26 Apr 2010 00:59:11 +0000</pubDate>
		<guid isPermaLink="false">http://www.streamray.net/psp/red-eye/#comment-9460</guid>
		<description>This is to scare the average woman as victim deal, even though Rachel McAdams &quot;is strong character more political than usual to correct for this genre. Your performance and Cillian Murphy&#039;s wonderfully credible creepiness, save the movie file to a certain extent at least. It plays your to maintain attention for an hour and a half, but there is basically nothing to it over the will to-escape-and-save-the-day stress. However, it is difficult to define a credible history as a hostage in a public place as representing a plane, and this is pretty convincing. Just do not expect any emotional effect last even longer than the film itself</description>
		<content:encoded><![CDATA[<p>This is to scare the average woman as victim deal, even though Rachel McAdams &#8220;is strong character more political than usual to correct for this genre. Your performance and Cillian Murphy&#8217;s wonderfully credible creepiness, save the movie file to a certain extent at least. It plays your to maintain attention for an hour and a half, but there is basically nothing to it over the will to-escape-and-save-the-day stress. However, it is difficult to define a credible history as a hostage in a public place as representing a plane, and this is pretty convincing. Just do not expect any emotional effect last even longer than the film itself</p>
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		<title>By: Pedro Delgado</title>
		<link>http://www.streamray.net/psp/red-eye/comment-page-1/#comment-9459</link>
		<dc:creator>Pedro Delgado</dc:creator>
		<pubDate>Sun, 25 Apr 2010 22:39:22 +0000</pubDate>
		<guid isPermaLink="false">http://www.streamray.net/psp/red-eye/#comment-9459</guid>
		<description>Red Eye is a prime example of the inaccuracy of the many, many thrillers: a strong start gives way to a dissapointing last act by two thirds of the film manages to Wes Craven, to engage the audience with a fascinating premise and some strong performances of the two McAdams and Murphy . Sure, the plot terrorits, as is the case with most terrorist plots in movies, seems a bit too complicated to run. But to keep the pace of the film and the acting of the public interest. Then, when the plane in Miami country managed, we are rushed through a thoroughly unsatisfying end. The last confrontation between the two main characters is ultimately anti-climax. The film leaves open several important questions. We never understand why the terrorist group wanted to dispose of Homeland Security Official. We never really understand the motivation of the characters in the movie. A clever plot twist (and resolution) would be to learn that the intended target was actually a bad person, and people try to stop it were actually trying to avoid a major tragedy. Something to that effect, the public would have made a better ending with disposal. It looks like a potentially great thriller is a mediocre.</description>
		<content:encoded><![CDATA[<p>Red Eye is a prime example of the inaccuracy of the many, many thrillers: a strong start gives way to a dissapointing last act by two thirds of the film manages to Wes Craven, to engage the audience with a fascinating premise and some strong performances of the two McAdams and Murphy . Sure, the plot terrorits, as is the case with most terrorist plots in movies, seems a bit too complicated to run. But to keep the pace of the film and the acting of the public interest. Then, when the plane in Miami country managed, we are rushed through a thoroughly unsatisfying end. The last confrontation between the two main characters is ultimately anti-climax. The film leaves open several important questions. We never understand why the terrorist group wanted to dispose of Homeland Security Official. We never really understand the motivation of the characters in the movie. A clever plot twist (and resolution) would be to learn that the intended target was actually a bad person, and people try to stop it were actually trying to avoid a major tragedy. Something to that effect, the public would have made a better ending with disposal. It looks like a potentially great thriller is a mediocre.</p>
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		<title>By: Grady Harp</title>
		<link>http://www.streamray.net/psp/red-eye/comment-page-1/#comment-9458</link>
		<dc:creator>Grady Harp</dc:creator>
		<pubDate>Sun, 25 Apr 2010 20:30:18 +0000</pubDate>
		<guid isPermaLink="false">http://www.streamray.net/psp/red-eye/#comment-9458</guid>
		<description>Who would expect to be a writer / story by Carl Ellsworth (&quot;Buffy the Vampire Slayer&quot;), directed by horror master Wes Craven, an intelligent thriller? But RED EYE is exactly. This is a close conversation duet for two actors, accompanied by slides on the viewer so sure that highlight the appalling thing as a relief from the previous strain. &lt;br /&gt; &lt;br /&gt; Rachael McAdams as a heroine proves they can get a fine character development from the first appearance by the tension until the last frame screen. Just imagine using Cillian Murphy not only his talent as an actor, but also his clear blue eyes of innocence, evil under. As the bulk of the film takes on board an aircraft in flight (the red eye from Texas to Miami), lies the tension for the story is very strong with these two actors. They succeed in every way, as with the Craven turning his directing skills intellectual rather than physical terror. Well done! Grady Harp, 06 January</description>
		<content:encoded><![CDATA[<p>Who would expect to be a writer / story by Carl Ellsworth (&#8220;Buffy the Vampire Slayer&#8221;), directed by horror master Wes Craven, an intelligent thriller? But RED EYE is exactly. This is a close conversation duet for two actors, accompanied by slides on the viewer so sure that highlight the appalling thing as a relief from the previous strain. </p>
<p> Rachael McAdams as a heroine proves they can get a fine character development from the first appearance by the tension until the last frame screen. Just imagine using Cillian Murphy not only his talent as an actor, but also his clear blue eyes of innocence, evil under. As the bulk of the film takes on board an aircraft in flight (the red eye from Texas to Miami), lies the tension for the story is very strong with these two actors. They succeed in every way, as with the Craven turning his directing skills intellectual rather than physical terror. Well done! Grady Harp, 06 January</p>
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		<title>By: thornhillatthemovies.com</title>
		<link>http://www.streamray.net/psp/red-eye/comment-page-1/#comment-9457</link>
		<dc:creator>thornhillatthemovies.com</dc:creator>
		<pubDate>Sun, 25 Apr 2010 18:57:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.streamray.net/psp/red-eye/#comment-9457</guid>
		<description>Lisa (Rachel McAdams, &quot;Wedding Crashers,&quot; &quot;The Notebook&quot;), is director of the Lux Atlantic Hotel in Miami, very late for her plane in Dallas. Shaking the rain, she stands in line at the airport terminal and meets Jackson (Cillian Murphy, &quot;Batman Begins&quot;, &quot;28 Days Later&quot;). Jackson calm a tense situation with another passenger and then introduces himself, tells Lisa that he will be in the bar, waiting for the plane when it tends to join him. She asks politely, but not at the end with a drink with him. As Lisa boards the plane, she finds that they are sitting next to Jackson. The plane takes off, and Lisa is nervous because she asked to fly to Jackson to try and she hates to calm them by talking about her father, Joe (Brian Cox). After the aircraft was lifted by the turbulence, he reveals that he knows a lot more about Lisa than he should, and he just needs Lisa to make a call. If she does, her father is not the man sits outside his damaged house. &lt;br /&gt; &lt;br /&gt; &quot;Red Eye&quot; by director Wes Craven (&quot;Cursed,&quot; the &quot;Scream&quot; films, &quot;Nightmare Before Elm Street&quot;) is a very good example of the thriller genre. &lt;br /&gt; &lt;br /&gt; I think the first trailer has been released about this film a brilliant piece of marketing. The trailer paints the film as a beautiful, romantic drama with a chance meeting between Lisa and Jackson. They meet in the airport, they have a snack together, then, lo and behold, they find they are sitting side by side. The flight is a pleasant thing. Just as the trailer has convinced you of being a title card appears announcement &quot;a film by Wes Craven&quot;, written in red, and the music is ominous. The trailer is so awesome because it so completely convinced me that the film would be a romantic drama before switching gears, that my hopes were to be addressed for this movie. &lt;br /&gt; &lt;br /&gt; &quot;Red Eye &quot;has a lot to offer. Not least of its attributes is that the film is very lively and watches for about 85 minutes. This Craven offers little room to linger on anything and he keeps things moving. The subplot of the meeting before we even start is Lisa, with a series of short presentation of the recordings machinations of a group that need help Lisa introduced. These shots are fast, informative and interesting. Then the main plot kicks in and we leave this group for a while. &lt;br /&gt; &lt;br /&gt; When we meet Lisa, you might think the film seems to slow down a little, but upon reflection realized I do that every scene has at least two purposes in the action. The first meeting between Lisa and Jackson, in line at the ticket counter, seems to serve only one purpose, to imagine the two characters together. Later in the film, one of the characters involved makes a brief return. In fact, many of the minor characters are introduced, and we learn something about their characters. In some way or fashion, they will all have a moment or two, to either help or hinder the journey of Lisa and Jackson. &lt;br /&gt; &lt;br /&gt; Because given all these little signs of a &quot;history&quot; are, the film rises above the rest of the pack. Most movies do not bother with minor characters by simply as window dressing. In &quot;Red Eye&quot;, they are a part of history. An older flight attendant complained to her colleague about a broken coffee pot and the company to steal her pension from her. A little girl is flying alone for the first time an elderly woman strikes a conversation with Lisa on the Dr. Phil book of her father lent her. A woman flirts with Jackson asked insistently for his help in her pocket. All this may seem busy work, but retain Craven and writer Carl Ellsworth and Dan Foos them all back to the land and make it a part of history. Because of this level of detail, the film is ultimately stronger. &lt;br /&gt; &lt;br /&gt; The relationship between Lisa and Jackson is fascinating and interesting to watch. Lisa is not the normal helpless heroine. She reveals that she hoped might be a little harder than Jackson, and finally an interesting opponent for him. Jackson is quietly menacing, quick to smile, someone on the level that you may have noticed, to allay their concerns, so it invisible again. Speaking in low tones make it clear that he takes his threats. &lt;br /&gt; &lt;br /&gt; The film is a bit more after the standard plane lands in Miami. Part of the reason the film works is that the two characters in the middle of a sea of people in a confined space plane. Once the plane lands, their world expands and there are many other influences on each of their actions. The finale is pretty standard for thrillers and less than spectacular, dragging the rest of the movie from. But fortunately, this section very quickly and went by quickly. &lt;br /&gt; &lt;br /&gt; &quot;Red Eye&quot; suffers &quot;from a weak last 10 minutes, but it is still well above the average for a film this genre. Definitely worth a bargain matinee. &lt;br /&gt;</description>
		<content:encoded><![CDATA[<p>Lisa (Rachel McAdams, &#8220;Wedding Crashers,&#8221; &#8220;The Notebook&#8221;), is director of the Lux Atlantic Hotel in Miami, very late for her plane in Dallas. Shaking the rain, she stands in line at the airport terminal and meets Jackson (Cillian Murphy, &#8220;Batman Begins&#8221;, &#8220;28 Days Later&#8221;). Jackson calm a tense situation with another passenger and then introduces himself, tells Lisa that he will be in the bar, waiting for the plane when it tends to join him. She asks politely, but not at the end with a drink with him. As Lisa boards the plane, she finds that they are sitting next to Jackson. The plane takes off, and Lisa is nervous because she asked to fly to Jackson to try and she hates to calm them by talking about her father, Joe (Brian Cox). After the aircraft was lifted by the turbulence, he reveals that he knows a lot more about Lisa than he should, and he just needs Lisa to make a call. If she does, her father is not the man sits outside his damaged house. </p>
<p> &#8220;Red Eye&#8221; by director Wes Craven (&#8220;Cursed,&#8221; the &#8220;Scream&#8221; films, &#8220;Nightmare Before Elm Street&#8221;) is a very good example of the thriller genre. </p>
<p> I think the first trailer has been released about this film a brilliant piece of marketing. The trailer paints the film as a beautiful, romantic drama with a chance meeting between Lisa and Jackson. They meet in the airport, they have a snack together, then, lo and behold, they find they are sitting side by side. The flight is a pleasant thing. Just as the trailer has convinced you of being a title card appears announcement &#8220;a film by Wes Craven&#8221;, written in red, and the music is ominous. The trailer is so awesome because it so completely convinced me that the film would be a romantic drama before switching gears, that my hopes were to be addressed for this movie. </p>
<p> &#8220;Red Eye &#8220;has a lot to offer. Not least of its attributes is that the film is very lively and watches for about 85 minutes. This Craven offers little room to linger on anything and he keeps things moving. The subplot of the meeting before we even start is Lisa, with a series of short presentation of the recordings machinations of a group that need help Lisa introduced. These shots are fast, informative and interesting. Then the main plot kicks in and we leave this group for a while. </p>
<p> When we meet Lisa, you might think the film seems to slow down a little, but upon reflection realized I do that every scene has at least two purposes in the action. The first meeting between Lisa and Jackson, in line at the ticket counter, seems to serve only one purpose, to imagine the two characters together. Later in the film, one of the characters involved makes a brief return. In fact, many of the minor characters are introduced, and we learn something about their characters. In some way or fashion, they will all have a moment or two, to either help or hinder the journey of Lisa and Jackson. </p>
<p> Because given all these little signs of a &#8220;history&#8221; are, the film rises above the rest of the pack. Most movies do not bother with minor characters by simply as window dressing. In &#8220;Red Eye&#8221;, they are a part of history. An older flight attendant complained to her colleague about a broken coffee pot and the company to steal her pension from her. A little girl is flying alone for the first time an elderly woman strikes a conversation with Lisa on the Dr. Phil book of her father lent her. A woman flirts with Jackson asked insistently for his help in her pocket. All this may seem busy work, but retain Craven and writer Carl Ellsworth and Dan Foos them all back to the land and make it a part of history. Because of this level of detail, the film is ultimately stronger. </p>
<p> The relationship between Lisa and Jackson is fascinating and interesting to watch. Lisa is not the normal helpless heroine. She reveals that she hoped might be a little harder than Jackson, and finally an interesting opponent for him. Jackson is quietly menacing, quick to smile, someone on the level that you may have noticed, to allay their concerns, so it invisible again. Speaking in low tones make it clear that he takes his threats. </p>
<p> The film is a bit more after the standard plane lands in Miami. Part of the reason the film works is that the two characters in the middle of a sea of people in a confined space plane. Once the plane lands, their world expands and there are many other influences on each of their actions. The finale is pretty standard for thrillers and less than spectacular, dragging the rest of the movie from. But fortunately, this section very quickly and went by quickly. </p>
<p> &#8220;Red Eye&#8221; suffers &#8220;from a weak last 10 minutes, but it is still well above the average for a film this genre. Definitely worth a bargain matinee. </p>
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